China is a great place to get artistic. Granted, it’s hard to paint outdoors because a mob will gather around you, suffocating any sense of serenity or peace, but at the same time the social vibe can be fun if you’re into painting people. What I love about painting in China is the cost.
On Wusi St. in Beijing you’ll find several art shops that sell a range of supplies. From modeling to wood work to painting, sculpture and sketching, everything your artistic heart could desire. And at the fraction of the cost of buying stateside. In 2007 for my birthday I was given a $100 gift card to an art store in Minneapolis. I was in 7th heaven running around filling up my cart. Turns out $100 doesn’t go far in an art store in America. I ended up buying one giant, awesome canvas, some brushes and paints and a sketchbook and pens.
On Wusi St. I took $100 and walked out with ten meters of canvas (unframed), around 30 paint tubs, 12 new brushes, a sketchbook, charcoal pencils, eraser, drafting rulers and all the fixings (paint thinner, sealer, finisher, etc). It was a bonanza. And more recently when my folks visited they did a similar shopping spree at the art store. And why not, you take a suitcase of paints out on your flight and you can paint for a year!
A few days ago a lovely lady at the bar asked to buy one of my paintings (remember the giant llama painting?). I’m pretty attached to my dignified animals, but it was a happy moment nonetheless to have an offer. I’ve had some other interest in my dignified squid. I’m just hoping to hold on to them long enough to get the whole series completed and photographed. Here are some of the dignified animals below.
Dignified Llama (above). The canvas is around 4X4feet, framed.
Dignified Hippo (above). The canvas is around 5 feet x 2 feet, unframed.
Dignified Squid (above). The canvas is 1 foot x 2.5 feet, framed.
Dignified Sloth (above). The canvas is 1 foot x 9 inches.
Un-Dignified Alpaca. This one wasn’t part of the series, but it kind of fits in well here. The canvas is about 1 foot by 9 inches.
I was also fascinated by Picaso for a while and went through a phase where I was tossing color and shapes around, even more ridiculously than the master himself (and not as successfully). Here are a few of the Picaso replicas:
The pregnant woman seems sadder in mine than Picasos, and also a bit more Dr. Seuss like.
The above was also not as successful as Picaso’s (that’s why he’s the man!). I’m also not sure why her boobs are hanging out while she’s reading. I usually don’t read that way.
A few months ago I went through a Salvador Dali phase. Below are two of the many Dali look-alike pieces I did:
The above is a bit more “southwestern” than Dali’s normal landscapes, but I love the long-legged elephant look.
The above is obviously part of a pair, I did them to flak a doorway.
Below are a few oil paintings I was working on a year ago. Oil has never been my medium just because it takes too long to dry and thus fills up with cat hair before it can set.
The above is a mix of oil and acrylic. 3 feet by 2.5 feet, roughly. The reflection is all oil, the rest is acrylic. The below image is meant to accompany it as a pair.
Mike says some of my art is creepy. I don’t really agree, but here are some of the ones that he dislikes.
The above was part of a very long phase where I painted eyeballs. I have about twenty eyeball paintings.
The above started out as one thing, and morphed into another. Mike calls it the “creepy hermaphrodite” which is an insult to real hermaphrodites everywhere. It’s unfinished, but I might leave it that way to add to the oddness.